
This is a presentation that I gave online to my colleagues at a Warwick Law School staff seminar in early March 2022. Most legal theorists will know German legal historian Cornelia Vismann (1961–1980) as an innovative and observant interpreter of continental philosophy, most notably of Walter Benjamin, Jacques Derrida and Pierre Legendre. Vismann’s numerous contributions to the development of so-called German media theory are, however, hardly known among her Anglophone legal peers. Legal theory’s apparent lack of engagements with German media theory is even more surprising if one considers that Vismann’s breakthrough monograph was translated into English as Files: Law and Media Technology (Stanford UP, 2008). This presentation attempts to outline the beginnings of a materialist and anti-hermeneutic framework that is indebted to Vismann as well as to her media theory collaborators. It discusses judicial artefacts such as courthouse designs as cultural techniques, that is, as chains of operations that link together humans, things and media. Continue reading “Cornelia Vismann and the cultural techniques of law”